About Elegy

Top Design

  • My method is an inward subtraction of density from the top that is then tied into the much thicker edges via my own lattice-like bracing. I find this balances the efficiency of both light and heavy strokes, giving the player a “quick attack” without sacrificing depth, warmth and power. 

Back and Sides

  • I normally laminate the back and sides. The sides are laminated with the goal of increasing weight and the back is laminated with western red cedar. I highly recommend this to players looking for a very focused, salient projection and excellent separation between voices. What one sacrifices in feeling the body vibrate against the body, one gains in tone quality and salience.

Bolt-on Neck

  • When I first started using a bolt on neck I was merely fastening the heal. My friend and luthier Jeremy Clark inspired me to try bolting the fingerboard as well. This makes the entire neck removable, seriously facilitating finish work and any restoration that might be required as the instrument ages.

Larger Frets

  • Fantastic guitarist and teacher Stanley Yates first encouraged me to try out "Jumbo" frets and I have been using a large fret width and height ever since. Overall, this is a major improvment in the playability of a guitar and the sustainability of the instrument's setup, preventing string ware in the fretboard and ensuring that minimal effort is required for the player to fret a string.

Elevated Fretboard

  • The elevated fretboard is now a standard in the classical guitar world. I use only a minimal elevation (1/2") that gives players an easier access to the frets over the guitar body. This is acheived by increasing the neck angle 1/2 a degree and lowering the upper-bout so the string distance from the top remains in a traditional range.

French Polish of Shellac Finish or Nitrocellulose Lacquer

  • Although it's quite labor intensive, French polishing shellac is a great solution for small shops and is remarkably easy to rejuventate. I have enjoyed using polishing touch ups as an excuse for building stronger friendships with my customers and it's a great way for me to check in on how my older guitars are holding up. I have recently developed a spray booth where I can apply nitrocellulose lacquer and I highly recommend this finish for those players in hot climates and/or those with hot, oily, sweaty bodies that tend to degrade shelllac very quickly.