Ode I. 11

Horace Ode Text

~ Quintus Horatius Flaccus (c. 23 BC)
Translated by Burton Raffel

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Summit of Grand Teton (2014)
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Construction of Family Home (c. 1975?)
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Argiope Aurantia
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Sunrise from Porch
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Shadey Sycamore
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Cold Morning
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Walnut Spindle Bed
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Shaker Style End Table


Growing up on a farm is a priveledge that a dwindling number of us experience. In the early 20th century, my great grandfather, Spencer, bought that farm and moved all his sons and daughters there so they could attend The Webb School. Somewhere in the Turrentine DNA, given how so many of us are teachers, there is sowed a deep appreciation for giving and receiving an education. My great grandfather on my mother's side was a Swedish immigrant. His son, my grandfather, was a Marine and an electrical engineer.

When I was 12 years old, my aunt and uncle gave me a book about how Native Americans constructed their bows and arrows and it quickly led to my boyhood obsession with primitive archery. By the time that I was 14 years old I had carved and used (and broken) probably about 20 bows made out of various kinds of available wood and made numerous other arrows that could have easily been mistaken for museum relics. I think that carving bows and bending arrows straight cultivated my fascination with wood more than anything else I could have tried before or since. After hours of making a bow and getting everything "perfect" came the time to string it up. The anticipation and stress over the level of success my work had rendered was comparable to that experienced when stringing up a new guitar for the first time. Like guitars, making bows well requires an intimate knowledge and intuition about the physical properties of different woods.

Music had always been a part of my family and my Julliard trained grandmother imparted her talents to my older sister who played the piano in my living room my whole childhood. I didn't become interested in playing music until listening to Jimi Hendrix my sophomore year of high school. I continued this interest in blues and rock guitar until I was 17 and sentimentality struck me. It came in the shape of a German exchange student with pretty brown eyes. Then my grandmother gave me a tape of Liona Boyd - the one where she is wearing a short skirt and sitting on a white horse. I was hooked. I went on to receive a Bachelor's in Guitar Performance from Shenandoah Conservatory where I studied with Glenn Caluda, a teacher who is responsible for maturing many students' love for the classical guitar.

My first connection to guitar making was my sixth grade teacher, Jean Gallagher. She is the wife of J.W. Gallagher's son, Don, who continued his fathers tradition of making some of the finest, in demand, steel string acoustic guitars in the world. After my first semester studying at Shenandoah Conservatory I asked Don for a job in the shop. I think that my father's reputation as a woodworker is what landed me the job, but I think I did well, because he didn't seem to hesitate in rehiring me a couple years after that when I had graduated. While there, I worked with some of the most talented craftsmen I have ever known.

I currently live near Alpine TN, and I invite you to give me a call and stop by the shop or meet for lunch if you are in the area. I can't guarantee that I will have a newly competed guitar sitting around to play, but I can guarantee warm welcome and good conversation.

My Work


Learn more about some of the special guitarists and friends making music on Turrentine Guitars and see the results of their hard work and dedication.

Special Projects

Custom Classical Image Link

The classical guitar has always been a sexy instrument. These projects represent a variety of approaches towards expanding the traditional utility and aesthetic of the guitar.


Providing various repair services to classical guitar players and collectors is a great way to make new friends and to learn about the various problems that arise within a guitar's lifetime.